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This is because they like adding as much dead space as possible into the frame, knowing that your mind fills in what could be lurking in the invisible. As the film goes on you see that they avoid tight closeup shots and instead favour the mid-range and further back. It is also where the camera starts randomly panning into empty space and just lingering with menace.

This meant that every footstep had meaning because it could be the step that gives her away. In that opening scene, as Cecilia is escaping Adrian, there was no music, no sound, bar the sound of the crashing of waves in the background and any sound that Cecilia made in her escape. We also see this in the way that the film uses tension to bring you to the edge of your seat.

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This is a film that knows how to use sound to heighten tension. This gives every motion a fluidity but also impact when punches get thrown. If this was the case, I have to give a lot of credit to the stunt riggers because they gave everything weight as if there was someone there. From the way it is framed, I think this was achieved through some really well-crafted wire work in tandem with a well trained stunt team, rather than someone in a green suit that they removed in post. This means that the actors have to interact with something that is not there. Given it is in the title, I don’t think it is a spoiler to say that there is an invisible person in many of the scenes in this film. It is a performance that would be a shoo-in for an Academy Award nomination, that is if the Academy was not apparently against strong female performances in horror films.Īnother area where the film excels is in its technical merits. Because she is the focus of every moment in the film, she is the power and the rage the film needs but also a window into how people can control other’s lives and the legacy that leaves.

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There are times when she is full of power and other times when she can’t walk out to the letterbox. Cecilia is a victim of abuse and it is very easy to fall into unhelpful stereotypes but Elizabeth gives a very nuanced performance. She is our point of contact, our view into this would. You can not talk about this film and not acknowledge right up front how amazing Elizabeth Moss is here. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.Įlisabeth Moss gives a command performance in The Invisible Man.

The moment she grabs her hidden go bag you immediately understand why she is leaving. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing.

We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not. However, while watching the film, I found myself feeling very conflicted with the subject material. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man.

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A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell.

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